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Biophilic architecture

A wider measure of architectural quality

BIOMA / Insight

The quality of a place also depends on its ability to support the everyday lives of those who inhabit it.

7 minEnglish
Courtyard house integrated with a mature tree, water and Mediterranean planting
Written byBIOMA
Published01 September 2025
Reading time7 minutes
FieldBiophilia

Beyond the appearance of greenery

Architectural quality also concerns the capacity of a place to support everyday life. Biophilic architecture treats nature as design infrastructure rather than an added layer of plants.

It works with light, air, material, geometry, views, transitions and living systems. A place can look green and remain perceptually poor, or build a strong relationship with nature through shade, variation, tactility, orientation and rhythm.

What biophilic design includes

  • Direct nature: planting, water, light, air and seasonal presence.
  • Indirect nature: materials, colours, forms and processes that reveal living systems.
  • Spatial experience: prospect and refuge, orientation, mystery, ordered complexity and transitions.
Rainwater integrated into an architectural threshold with moss and planting
Biophilia becomes effective when water, habitat, material and perception work within one system.

Quality that can be observed

Daylight, glare protection, views, air quality, thermal comfort, acoustics and tactile material can all be observed. Indicators need to be combined with people’s perception and actual patterns of use.

Not only for large projects

Biophilic principles can guide a home, workplace, hotel, garden, shop or public space. Limited interventions can still be effective when they begin with real priorities rather than a catalogue of decorative solutions.

For BIOMA, it means addressing beauty, wellbeing and environmental impact within the same process, without reducing any of them to a slogan.

BIOMA

Continue reading

A spider’s web among border plants beside a clear stone walkway. Editorial illustration.
Biophilia · 8 minBiophobia: when fear of nature enters the design process

Spiders, insects, tall grass and darkness: distinguishing discomfort from risk and designing places where coexistence is possible

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